General Bibliography
Intellectual and institutional contexts
- Adorno, Theodor, and Max Horkheimer. Dialectic of Enlightenment. Trans. John Gumming. London and New York: Verso, 1986.
- Altick, Richard. The English Common Reader. Chicago: University of Chicago Press, 1957.
- Beach, Sylvia. Shakespeare and Company. Lincoln: University of Nebraska Press, 1980. First edition, 1956.
- Bell, Michael. Literature, Modernism and Myth: Belief and Responsibility in the Twentieth Century. Cambridge: Cambridge University Press, 1997.
- Bell, Michael, ed. The Context of English Literature, 1900‑1930. London: Methuen, 1980.
- Benjamin, Walter. "The Work of Art in the Age of Mechanical Reproduction." In Hannah Arendt, ed., Walter Benjamin: Illuminations. New York, Schocken Books: 1969, pp. 217‑51.
- Blumemberg, Hans. The Legitimacy of the Modern Age. Trans. Robert M. Wallace. Cambridge, MA and London: MIT Press, 1983.
- Bohrer, Karl‑Heinz, ed. Mythos and Moderne. Frankfurt: Suhrkamp, 1983.
- Bradbury, Malcolm, and James McFarlane, eds. Modernism 1890‑193 0. Harmondsworth: Penguin, 1976.
- Burger, Peter. Theory of the Avant‑Garde. Trans. Michael Shaw. Minneapolis: University of Minnesota Press, 1984.
- Charvat, William. The Profession of Authorship in America, 1800‑1870. Columbus: Ohio State University Press, 1968.
- Collins, A. S. Authorship in the Days of Johnson, Being a Study of the Relation Between Author, Patron, Publisher and Public, 1726‑1780. London: George Routledge, 1927.
- Crow, Thomas. "Modernism and Mass Culture in the Visual Arts." In Benjamin H. D. Buchloh, Serge Guilbaut, and David Solkin, eds., Modernism and Modernity (Halifax: Nova Scotia College of Art and Design, 1983), 215‑64.
- Dale, Peter Alan. In Pursuit of a Scientific Culture. Madison: University of Wisconsin Press, 1989.
- Debord, Guy. Society of the Spectacle. Detroit: Black and Red, 1983. First edition, Paris: Editions Buchet‑Chastel, 1967.
- Delany, Paul. Islands of Money: English Literature and the Financial Culture. Andover: University of Massachusetts Press, 1998.
- Eagleton, Terry. "Capitalism, Modernism and Postmodernism." In David Lodge, ed., Modern Criticism and Theory: A Reader. London: Longman, 1988, p. 385‑98.
- Ellmann, Richard, and Charles Feidelson, eds. The Modern Tradition. Oxford: Oxford University Press, 1965.
- Elsner, John, and Roger Cardinal, The Cultures of Collecting. London: Reaktion Books, 1994.
- FitzGerald, Michael. Making Modernism: Picasso and the Creation of the Market for Twentieth‑Century Art. New York: Farrar Straus and Giroux, 1995.
- Habermas, Jurgen. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Trans. Thomas Burger. Cambridge, MA: MIT Press, 1989.
- "Further Reflections on the Public Sphere." In Craig Calhoun, ed., Habermas and the Public Sphere. Cambridge: MIT Press, 11992, PP. 4Z1‑61.
- Hauser, Arnold. The Social History of Art, vol. IV, Naturalism to the Film Age. London: Routledge and Kegan Paul, 1962.
- Heisenberg, Werner. The Physicist's Conception of Nature. London: Hutchinson, 958.
- Jensen, Robert. Marketing Modernism in Fin de Siècle Europe. Princeton: Princeton University Press, 1994.
- Kaestle, Carl. Literacy in the United States: Readers and Reading Since ‑188o. New Haven and London: Yale University Press, 1991.
- Kenner, Hugh. The Pound Era. Berkeley: University of California Press, 1971.
- Kline, Morris. Mathematical Thought from Ancient to Modern Times. New York: Oxford University Press 1972..
- Levenson, Michael. A Genealogy of Modernism. Cambridge: Cambridge University Press, 1984.
- Lidderdale, Jane, and Mary Micholson. Dear Miss Weaver: Harriet Shaw Weaver, 876‑1961. New York: Viking Press, 1970.
- Manganaro, Marc, ed. Modernist Anthropology: from Fieldwork to Text. Princeton: Princeton University Press, 1990.
- McAleer, Joseph. Popular Reading and Publishing in Britain, 1914‑1950. Oxford: Clarendon Press, 1992..
- Naremore, James, and Patrick Brantlinger. Modernity and Mass Culture. Bloomington: Indiana University Press, 1991.
- Nicholls, Peter. Modernisms: A Literary Guide. Berkeley: University of California Press, 1995.
- Ohmann, Richard. Selling Culture: Magazines, Markets, and Class at the Turn of the Century. London and New York: Verso, 1996.
- Pearson, Karl. The Grammar of Science. London: Walter Scott, 1892.
- Rainey, Lawrence. Institutions of Modernism: Literary Elites and Public Culture. New Haven and London: Yale University Press, 1997.
- Reid, B. L. The Man from New York: John Quinn and His Friends. (Oxford and New York: Oxford University Press, 1968.
- Rowland, Jr., William G. Literature and the Marketplace: Romantic Writers and Their Audiences in Great Britain and the United States. Lincoln: University of Nebraska Press, 1996.
- Schwartz, Sanford. The Matrix of Modernism: Pound, Eliot and Early TwentiethCentury Thought. Princeton: Princeton University Press, 1985.
- Sloterdijk, Peter. Critique of Cynical Reason. Trans. Michael Eldred. London and New York: Verso, 1985.
- Sutherland, John. Victorian Novelists and Publishers. London: Athione Press, 1976.
- Taylor, Charles. The Sources of the Self: the Making of Modern Identity. Cambridge: Cambridge University Press, 1989.
- Wexler Joyce Piell. Who Paid for Modernism? Art, Money, and the Fiction of Conrad, Joyce, and Lawrence. Fayetteville: University of Arkansas Press, 1997.
- White, Cynthia and Harrison. Canvasses and Careers. New York: Wiley, 1965.
- Willison, Ian, Warwick Gould, and Warren Chernaik, eds. Modernist Writers and the Marketplace. London and New York: Macmillan and St. Martin's Press, 1996.
- Wilson, Edmund. Axel's Castle, a Study in the Imaginative Literature of 1870‑193 0. New York: Scribner's, 1931.
- Novel and poetry
- Attridge Derek. Peculiar Language: Literature as Difference from the Renaissanceto James Joyce. London: Methuen, 1988.
- Baker, Houston A. Modernism and the Harlem Renaissance. Chicago: University of Chicago Press, 1987.
- Bates, Milton. Wallace Stevens: A Mythology of Self. Berkeley: University of California Press, 1985.
- Bell, Michael. D. H. Lawrence: Language and Being. Cambridge: Cambridge University Press, 1991.
- Benstock, Shari. Women of the Left Bank: Paris, 1900‑1940. London: Virago, 1987.
- Bernstein, Michael. The Tale of the Tribe: Ezra Pound and the Modern Verse Epic. Princeton: Princeton University Press, 1980.
- Blair, Sara. Henry James and the Writing of Race and Nation. Cambridge: Cambridge University Press, 1996.
- Bloom, Harold. Figures of Capable Imagination. New York: Seabury Press, 1976. Wallace Stevens: The Poems of Our Climate. Ithaca, NY: Cornell University Press, 1977. Yeats. Oxford and New York: Oxford University Press, 1970.
- Bradshaw, David. "The Novel in the 1920s." In Dodsworth, ed., pp. 195‑224.
- Breslin, James E. B. From Modern to Contemporary. Chicago: University of Chicago Press, 1984. William Carlos Williams. Oxford and New York: Oxford University Press, 1970.
- Bromwich, David. A Choice of Inheritance: Self and Community from Edmund Burke to Robert Frost. Cambridge, MA: Harvard University Press, 1989.
- Bush, Ronald. T. S. Eliot: A Study in Character and Style. Oxford and New York: Oxford University Press, 1984. The Genesis of Ezra Pound's Cantos. Princeton: Princeton University Press, 1976.
- Cave, Terence. Recognitions: A Study in Poetics. Oxford: Clarendon Press, 1990.
- Costello, Bonnie. Marianne Moore: Imaginary Possessions. Cambridge, MA: Harvard University Press, 1981.
- Elizabeth Bishop: Questions of Mastery. Cambridge, MA: Harvard University Press, 1991.
- DeKoven, Marianne. A Different Language: Gertrude Stein's Experimental Writing. Madison: University of Wisconsin Press, 1983.
- Dodsworth, Martin, ed. The Penguin History of Literature: The Twentieth Century. Harmondsworth: Penguin, 1994.
- DuPlessis, Rachel Blau. H.D.: The Career of that Struggle. Brighton: Harvester, 1986.
- Erkkila, Betsy. The Wicked Sisters: Women Poets, Literary History and Discord. Oxford: Oxford University Press, 1992.
- Fussell, Paul. The Great War and Modern Memory. New York and London: Oxford University Press, 1975.
- Gibson, Andrew, ed. Reading Joyce's "Circe." European Joyce Studies . Amsterdam: Rodopi, 1994.
- Gordon, Lydnall. Eliot's Early Years. Oxford: Oxford University Press, 1977. Eliot's New Life. Oxford: Oxford University Press, 1988.
- Guest, Barbara. Herself Defined: The Poet H.D. and Her World. Garden City: Doubleday, 1984.
- Hammer, Landon. Janus‑Faced Modernism: Hart Crane and Allen Tate. Princeton: Princeton University Press, 1993.
- Home, Philip. "The Novel to 1914." In Dodsworth, ed., pp. 65-108.
- Hynes, Samuel. The Auden Generation. London: Bodley Head, 1976. The Pattern of Hardy's Poetry. Chapel Hill: University of North Carolina Press, 1961. A War Imagined. London: Bodley Head, 1990.
- Jarrell, Randall. Poetry and the Age. New York: Knopf, 1953.
- Johnson, Barbara. "The Critical Difference: Balzac's Sarrasine and Barthes's SIZ." In Robert Young, ed. Untying the Text: A Post‑Structuralist Reader. London: Routledge and Kegan Paul, 1981, pp. 162‑74.
- Kalstone, David. Becoming a Poet: Elizabeth Bishop with Marianne Moore and Robert Lowell. ed. Robert Hemenway. London: Hogarth Press, 1989.
- Kenner, Hugh. Ulysses. London: Allen and Unwin, 1980.
- Kermode, Frank. The Sense of an Ending: Studies in the Theory of Fiction. London: Oxford University Press, 1966.
- Lawrence, Karen. The Odyssey of Style in "Ulysses." Princeton: Princeton University Press, 1981.
- Lentricchia, Frank. Arid and the Police: Michel Foucault, William James, Wallace Stevens. Brighton: Harvester Wheatsheaf, 1988. Modernist Quartet. Cambridge: Cambridge University Press, 1994.
- Levenson, Michael. Modernism and the Fate of Individuality: Character and Novelistic Form from Conrad to Woolf. Cambridge: Cambridge University Press, 1991.
- Litz, A. Walton. Introspective Voyager: The Poetic Development of Wallace Stevens. Oxford and New York: Oxford University Press, 1972.
- Litz, A. Walton, ed. Eliot in His Time. Princeton: Princeton University Press, 1973.
- Longenbach, James. Modernist Poetics of History. Princeton: Princeton University Press, 1987. Stone Cottage: Pound, Yeats, and Modernism. Oxford: Oxford University Press, 1988. Wallace Stevens: The Plain Sense of Things. Oxford: Oxford University Press, 1991.
- McDiarmid, Lucy. Saving Civilization: Yeats, Eliot and Auden Between the Wars. Cambridge: Cambridge University Press, 1984.
- Mendelson, Edward. Early Auden. London: Faber and Faber, 1981.
- Miller, J. Hillis. The Linguistic Moment: From Wordsworth to Stevens. Princeton: Princeton University Press, 1985. Poets of Reality. Cambridge, MA: Harvard University Press, 1966.
- North, Michael. The Dialect of Modernism: Race, Language and TwentiethCentury Literature. Oxford: Oxford University Press, 1994.
- Parisi, Joseph, ed. Marianne Moore: The Art of a Modernist. Ann Arbor: University of Michigan Research Press, 1990.
- Perkins, David. A History of Modern Poetry: From the 189os to the High Modernist Mode. Cambridge, MA: Harvard University Press, 1976. A History of Modern Poetry: Modernism and After. Cambridge, MA: Harvard University Press, 1987.
- Perloff, Marjorie. The Dance of the Intellect: Studies in the Pound Tradition. Cambridge: Cambridge University Press, 1985. The Poetry of Indeterminacy: Rim baud to Cage. Princeton: Princeton University Press, 1981.
- Pinsky, Robert. Poetry and the World. New York: Ecco Press, 1988. The Situation of Poetry. Princeton: Princeton University Press, 1977.
- Poirier Richard. Poetry and Pragmatism. London: Faber and Faber, 1992. Robert Frost: The Work of Knowing. Oxford and New York: Oxford University Press, 1977.
- Pritchard, William. Randall Jarrell: A Literary Life. New York: Farrar Straus and Giroux, 1990. Robert Frost: A Literary Life. Oxford: Oxford University Press, 1984.
- Rainey, Lawrence S. Ezra Pound and the Monument of Culture: Text, History, and the Malatesta Cantos. Chicago: University of Chicago Press, 1991.
- Ramazani, Jahan. Poetry of Mourning: The Modern Elegy from Hardy to Heaney. Chicago: Chicago University Press, 1994.
- Richardson, James. Thomas Hardy: The Poetry of Necessity. Chicago: University of Chicago Press, 1977.
- Ricks, Christopher. T. S. Eliot and Prejudice. Berkeley: University of California Press, 1988.
- Schweik, Susan. A Gulf So Deeply Cut: American Poets and the Second World War. Madison: University of Wisconsin Press, 1991.
- Slatin, Myles. The Savage's Romance: The Poetry of Marianne Moore. University Park: Pennsylvania State University Press, 1986.
- Trotter, David. The English Novel in History. London: Routledge, 1993.
- Vendler, Helen. On Extended Wings: Wallace Stevens' Longer Poems. Cambridge, MA: Harvard University Press, 1969.
- Part of Nature, Part of Us: Modern American Poets. Cambridge, MA: Harvard University Press, 1980.
- Witmeyer, Hugh. The Poetry of Ezra Pound. Berkeley: University of California Press, 1981.
- Yingling, Thomas. Hart Crane and the Homosexual Text. Chicago: University of Chicago Press, 1990.
Drama, film and the fine arts
- Arnason, H. Harvard. A History of Modern Art: Painting, Sculpture, Architecture, Photography. Third edition. New York: Abrams, 1986.
- Artaud, Antonin. The Theatre and Its Double. Trans. Mary Caroline Richards. New York: Grove Press, 1958.
- Barthes, Roland. Camera Lucida. Trans. Richard Howard. New York: Hill and Wang, 1981.
- Benjamin, Walter. Illuminations. Trans. Harry Zohn. New York: Harcourt Brace Jovanovich, 1968.
- Bordwell, David, Janet Staiger, and Kristin Thompson. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. New York: Columbia University Press, 1985.
- Bowser, Eileen. The Transformation of Cinema, 1908‑1915. New York: Scribner's, 1990.
- Brecht, Bertolt. Brecht on Theatre: The Development of an Aesthetic. Ed. and trans. John Willett. New York: Hill and Wang, 1964.
- Brustein, Robert. The Theater of Revolt: An Approach to the Modern Drama. Boston: Little, Brown, 1964.
- Burch, Noel. Life to those Shadows. Trans. Ben Brewster. Berkeley and Los Angeles: University of California Press, 1990.
- Theory of Film Practice. Trans. Helen R. Lane. Princeton: Princeton University Press, 1981.
- Butler, Christopher. Early Modernism: Literature, Music, and Painting in Europe, 1900‑1916. Oxford: Clarendon Press, 1994.
- Cave!!, Stanley. The World Viewed: Reflections on the Ontology of Film. Enlarged edition. Cambridge, MA: Harvard University Press, 1979.
- Charney, Leo, and Vanessa Schwartz, eds. Cinema and the Invention of Modernity. Berkeley, Los Angeles, London: University of California Press, 1995.
- Chipp, Herschel B., compiler. Theories of Modern Art: A Sourcebook by Artists and Critics. Berkeley: University of California Press, 1994.
- Coates, Paul. Film at the Intersection of High and Mass Culture. Cambridge: Cambridge University Press, 1994.
- Gi!man, Richard. The Making of Modern Drama. New York: Farrar, Straus and Giroux, 1974.
- Desnos, Robert. Cinema. Paris: Gallimard, 1966.
- Eisenstein, Sergei. Film Form. Trans. Jan Leyda. New York: Harcourt Brace Jovanovich, 1949.
- E!saesser Thomas, ed. Early Cinema: Space Frame Narrative. London: British Film Institute Publishing, 1990.
- Hollander, Anne. Moving Pictures. New York: Knopf, 1989.
- Innes, C. D. Avant‑Garde Theatre. London: Routledge, 1993.
- Edward Gordon Craig. Cambridge: Cambridge University Press, 1983.
- Erwin Piscator's Political Theatre. Cambridge: Cambridge University Press, 1972.
- Modern British Drama: 1890‑1990. Cambridge: Cambridge University Press, 1992.
- Jameson, Fredric. Signatures of the Visible. New York and London: Routledge, 1992.
- Kennedy, Andrew K. Six Dramatists in Search of a Language. London and Cambridge: Cambridge University Press, 1975.
- Kracauer, Siegried. From Caligari to Hitler. Princeton: Princeton University Press, 1947.
- Kuleshov, Lev. Kuleshov on Film. Trans. Ronald Levaco. Berkeley, Los Angeles, London: University of California Press, 1974.
- Lamm, Martin. Modern Drama. Trans. Karin Elliott. Oxford: Blackwell, 1952.
- MacLeod, Glen G. Wallace Stevens and Modern Art: From the Armory Show to Abstract Expressionism. New Haven: Yale University Press, 1993.
- Musser, Charles. The Emergence of Cinema: The American Screen to 1907. New York: Scribner's, 1990.
- Perloff, Marjorie. The Futurist Moment: Avant‑Garde, Avant Guerre, and the Language Rupture. Chicago: University of Chicago Press, 1986.
- Prawer, S. S. Caligari's Children. Oxford and London: Oxford University Press, 1980.
- Quig!ey, Austin E. The Modern Stage and Other Worlds. New York and London: Methuen, 1985.
- Read, Herbert. A Concise History of Modern Painting. Revised edition. Preface by Benedict Read. Concluding chapter by Caroline Tisdale and William Feaver. London: Thames and Hudson, 1988.
- Sidnell, Michael. Dances of Death. London: Faber and Faber, 1984.
- Sitney, P. A. Modernist Montage. New York: Columbia University Press, 1990.
- Steiner, Wendy. The Colors of Rhetoric: Problems in the Relation Between Modern
- Literature and Painting. Chicago: University of Chicago Press, 1982.
- Styan, J. L. Modern Drama in Theory and Practice. 3 vols. Cambridge and New York: Cambridge University Press, 1981.
- Szondi, Peter. Theorie des Modernen Dramas. Frankfurt‑on‑Main: Suhrkamp, 1966.
- Williams, Alan Larson. Republic of Images. Cambridge, MA: Harvard University Press, 1992.
- Wood, Michael. America in the Movies: or, "Santa Maria, it had slipped my mind." New York: Basic Books, 1975.
Gender and the politics of culture
- Abraham, Julie. Are Girls Necessary? Lesbian Writing and Modern Histories. New York: Routledge, 1996.
- Ardis, Ann. New Women, New Novels: Feminism and Early Modernism. New Brunswick, NJ: Rutgers University Press, 1990.
- Benstock, Shari. Women of the Left Bank: Paris, 1900‑1940. Austin: University of Texas Press, 1986.
- Clark, Suzanne. Sentimental Modernism: Women Writers and the Revolution of the Word. Bloomington: Indiana University Press, 1991.
- DeKoven, Marianne. Rich and Strange: Gender, History, Modernism. Princeton: Princeton University Press, 1991.
- Denning, Michael. Mechanic Accents: Dime Novels and Working‑Class Culture in America. London: Verso, 1987.
- Dettmar, Kevin J. H., and Stephen Watt, eds. Marketing Modernisms: Self‑Promotion, Canonization, Rereading. Ann Arbor: University of Michigan Press, 1996.
- Douglas, Ann. Terrible Honesty: Mongrel Manhattan in the 192 OS. New York: Farrar, Straus and Giroux, 1995.
- DuPlessis, Rachel Blau. Writing Beyond the Ending: Narrative Strategies of Twentieth‑Century Women Writers. Bloomington: Indiana University Press, 1985.
- Elliott, Bridget, and Jo‑Ann Wallace. Women Artists and Writers: Modernist (Im)positionings. New York: Routledge, 1994.
- Felski, Rita, The Gender of Modernity. Cambridge, MA: Harvard University Press, 1996.
- Friedman, Ellen, and Miriam Fuchs, eds. Breaking the Sequence: Women's Experimental Fiction. Princeton: Princeton University Press, 1989.
- Gilbert, Sandra, and Susan Gubar. No Man's Land, vol. I, The War of the Words. New Haven: Yale University Press, 1988.
- No Man's Land, vol. II, Sexchanges. New Haven: Yale University Press, 1989.
- No Man's Land, vol. III, Letters from the Front. New Haven: Yale University Press, 1994.
- Hanscombe, Gillian, and Virginia L. Smyers. Writing for Their Lives: The Modernist Women, 1910‑194o. Boston: Northeastern University Press, 1987.
- Hutchinson, George. The Harlem Renaissance in Black and White. Cambridge, MA: Belknap Press of Harvard University Press, 1995.
- Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington: Indiana University Press, 1986.
- Jardine, Alice. Gynesis: Configurations of Woman and Modernity. Ithaca, NY:Cornell University Press, 1985.
- North, Michael. The Political Aesthetic of Yeats, Eliot, and Pound. Cambridge:Cambridge University Press, 1991.
- Reed, Christopher, ed. Not at Home: The Suppression of Domesticity in Modern Art and Architecture. London and New York: Thames and Hudson, 1993.
- Sante, Luc. Low Life: Lures and Snares of Old New York. New York: Vintage, 1992.
- Scott, Bonnie K., ed. The Gender of Modernism. Bloomington: Indiana University Press, 1990.
- Refiguring Modernism. Bloomington: Indiana University Press, 1995. Vol. I, The Women of 1928. Vol. II, Postmodern Feminist Readings of Woolf, West and Barnes.
- Suleiman, Susan Rubin. Subversive Intent: Gender Politics and the Avant‑Garde. Cambridge, MA: Harvard University Press, 1990.
- Wall, Cheryl A. Women of the Harlem Renaissance. Bloomington: Indiana University Press, 1995
- Williams, Raymond. The Politics of Modernism: Against the New Conformists. London: Verso, 1989.