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T. S. Eliot

Bibliography

 

Primary Sources:

 

Essays:

    • The Sacred Wood: Essays on Poetry and Criticism (London: Methuen, 1928; rpt. 1976)

 

    • For Lancelot Andrewes: Essays on Style and Order (London: Faber and Faber 1970)

 

    • Selected Essays (London: Faber & Faber 1934; reprinted 1972)

 

    • The Use of Poetry and the Use of Criticism (1933; London: Faber and Faber, 1975)

 

    • After Strange Gods (New York: Harcourt, Brace and Company, 1934)

 

    • The Idea of a Christian Society (London: Faber and Faber, 1939)

 

    • A Sermon, preached in Magdalene College Chapel (Cambridge: Cambridge University Press 1948)

 

    • Notes Toward the Definition of Culture (1948; London: Faber and Faber. Rpt. 1962)

 

    • On Poetry and Poets (London: Faber and Faber 1957)

 

    • To Criticize the Critic and other Writings (1965; London: Faber and Faber 1978)

 

    • T. S. Eliot. The Varieties of Metaphysical Poetry. Edited by Ronald Schuchard. (London: Harcourt Brace & Co. 1993)

 

Poetry and Drama:

The Complete Poems and Plays 1909-1950(London: Faber and Faber 1969)


    • The Waste Land: A Facsimile and Transcript of the Original Drafts Including the Annotations of Ezra Pound, edited by Valerie Eliot (London: Faber and Faber 1971).

 

    • Inventions of the March Hare: Poems, 1909-1917. Ed. Christopher Ricks. New York: Harcourt Brace, 1996.

 

Correspondence:

    • The Letters of T. S. Eliot: 1888-1992. vol I. Edited by Valerie Eliot. London: Faber and Faber 1988

 

Miscellanea:

    • Old Possum's Book of Practical Cats (Faber & Gwyer, 1939)

 

    • Knowledge and Experience in the Philosophy of F. H. Bradley (London: Faber and Faber 1964)

 

Biographical Studies:

    • Ackroyd, Peter. T. S. Eliot: A Life. New York: Simon and Schuster, 1984.

 

    • Behr, Caroline. T. S. Eliot: A Chronology of His Life and Works. London: Macmillan, 1983.

 

    • Gordon, Lyall. Eliot's Earlier Years. Oxford: Oxford UP, 1988.

 

    • ---. Eliot's New Life. New York: Farrar, Strauss Giroux, 1988.

 

    • Hall, Donald. "The Art of Poetry I: T. S. Eliot: An Interview." Paris Review 21.Spring Summer (1959): 47-70.

 

Bibliographical Aids:

    • Catalogue of Papers in the T. S. Eliot Collection, Houghton Library, Harvard, 1963

 

    • Eames, E. R., and A. M. Cohn, 'Some Early Reviews by T. S. Eliot (Addenda to Gallup)', The Papers of the Bibliographical Society of America, 7o, no. 3 (July 1976), 420-4

 

    • Gallup, Donald, T. S. Eliot: A Bibliography, revised and enlarged edition (London, 1969)

 

    • Hand-List of the Literary Manuscripts bequeathed to King's College, Cambridge by John Davy Hayward in 1965 (Cambridge, 1973)

 

    • Martin, Mildred, A Half-Century of Eliot Criticism: An Annotated Bibliography of Books and Articles in English, 1916-1965 (Lewisburg, 1972)

 

    • Knowles, Sebastian, and Scott A. Leonard. An Annotated Bibliography of a Decade of T. S. Eliot Criticism: 1977-1986. T. S. Eliot: Man and Poet. Vol. vol II. Orono: National Poetry Foundation, 1992.

 

A systematic account to the different T. S. Eliot collections, archive sources, unpublished material, as well as thorough information on Eliot's papers, books and notes while a student at Harvard-- material belonging to different collections mainly at Houghton Library (Harvard) and King's College (Cambridge)--is to be found in Manju Jain's authoritative study T. S. Eliot and American Philosophy. The Harvard Years. The book also includes a complete list of Eliot's contributions to periodicals which enlarges even Gallup's listings in his T. S. Eliot: A Bibliography (London 1988).

 

Criticism:

    • Ackroyd, Peter. T. S. Eliot: A Life. New York: Simon and Schuster, 1984.

 

    • Adams, Robert Martin. "What Was Modernism?" Husdon Review 31 (1978): 19-33.

 

    • Aldritt, Keith. "Four Quartets": Poetry as Chamber Music. London: Woburn, 1978.

 

    • ---. Modernism in the Second World War: The Later Poetry of Ezra Pound, T. S. Eliot, Basil Bunting and Hugh Mac Diarmid. New York: Peter Lang, 1989.

 

    • Asher, Kenneth. T. S. Eliot and Ideology. Cambridge: Cambridge University Press, 1995.

 

    • Bagchee, Shyamal, ed. T. S. Eliot : A Voice Descanting. New York: St. Martin's Press, 1990.

 

    • Barón Palma, Emilio. T.S. Eliot En España. Almería: Universidad de Almería, Servicio de Publicaciones, 1996.

 

    • Beehler, Michael. T. S. Eliot, Wallace Stevens and the Discourses of Difference. Baton Rouge: Louisiana State University Press, 1987.

 

    • Behr, Caroline. T. S. Eliot: A Chronology of His Life and Works. London: Macmillan, 1983.

 

    • Bergonzi, Bernard. T. S. Eliot. New York: Macmillan, 1972.

 

    • ---. T. S. Eliot, Four Quartets: A Casebook. Basingstoke: Macmillan, 1991.

 

    • Bergsten, Staffan. Time and Eternity. New York: Humanities Press, 1973.

 

    • Blamires, Harry. Word Unheard. A Guide through Eliot's Four Quartets. London: Methuen &Co, 1969.

 

    • Bloom, Harold. "Mr. America." New York review of Books. (1984).

 

    • Bolgan, Anne C. "The Philosophy of F. H. Bradley and the Mind and Art of T. S. Eliot: An Introduction." English Literature and British Philosophy. Ed. R. P. Rosenbaum. Chicago: U of Chicago P, 1971. 251-77.

 

    • ---. What the Thunder Really Said: A Retrospective Essay on the Making of the "Waste Land". Montreal: McGill-Queen's University Press, 1973.

 

    • Bornstein, George. Transformations of Romanticism in Yeats, Eliot, and Stevens. Chicago: U of Chicago P, 1976.

 

    • Bosanquet, B. "Realism and Metaphysics." Philosophical Review XXVI.January (1917).

 

    • Bradbury, Malcolm, and James McFarlane. Modernism: 1890-1930. New York, 1976.

 

    • Brooker, Jewel Spears. The Placing of T. S. Eliot. Columbia: The University of Missouri Press, 1991.

 

    • ---, ed. T.S. Eliot and Our Turning World. New York: St. Martin's Press, 2001.

 

    • Brooker, Jewel Spears , and Joseph Bentleys. Reading the Waste Land: Modernism and the Limits of Interpretations. Amherst: University of Massuchussets, 1990.

 

    • Brookers, Jewel Spears. Mastery and Escape: T. S. Eliot and the Dialectic of  Modernism. Amherst: University of Massachusetts Press, 1994.

 

    • Brooks, Harold. T. S. Eliot as Literary Critic. London: Woolf, 1987.

 

    • Brown, Denis. Intertextual Dynamics within the Literary Group: Joyce, Lewis, Pound and Eliot, the Men of 1914. Basingstoke: Macmillan, 1990.

 

    • Browne, E. Martin. The Making of T. S. Eliot's Plays. London: Cambridge UP, 1969.

 

    • Bush, Ronald. T. S. Eliot: A Study in Character and Style. New York: Oxford University Press, 1984.

 

    • ---, ed. T. S. Eliot: The Modernist in History. Cambridge: Cambridge UP, 1991.

 

    • Canary, Robert. T. S. Eliot: The Poet and His Critics. Chicago: American Library Association, 1982.

 

    • Chace, William. The Political Identities of Ezra Pound and T. S. Eliot. Stanford: Stanford UP, 1973.

 

    • Chase, Richard. "T.S. Eliot in Concord." American Scholar XVI.(Autumn) (1947).

 

    • Chiari, Joseph. T.S. Eliot: Poet and Dramatist. New York: Gordian Press, 1979.

 

    • Childs, Donald J. From Philosophy to Poetry : T.S. Eliot's Study of Knowledge and Experience. New York: Palgrave, 2001.

 

    • ---. Modernism and Eugenics : Woolf, Eliot, Yeats, and the Culture of Degeneration. Cambridge: Cambridge University Press, 2001.

 

    • Clarke, Graham, ed. T. S. Eliot: Critical Assessements. London: Cristopher Helm, 1990.

 

    • Clearfield, Andrew. These Fragments I Have Shored against My Ruins. Ann Arbor: UMI Research Press, 1984.

 

    • Cooper, John Xiros. T. S. Eliot and the Politics of Voice: The Argument of the Waste Land. Ann Arbor: UMI Research Press, 1987.

 

    • ---. T. S. Eliot's Orchestra: Critical Essays on Poetry and Music. New York: Garland Publishers, 2000.

 

    • Cowan, Laura, ed. T. S. Eliot: Man and Poet. University of Maine, National Poetry Foundation, 1990.

 

    • Crawford, Robert. The Savage and the City in the Work of T. S. Eliot. Oxford: Clarendon P, 1987.

 

    • Cuddy, Lois, and D Hirsch, eds. Critical Essays on T. S. Eliot's the Waste Land. Boston: G. K. Hall, 1991.

 

    • Cuddy, Lois A. T.S. Eliot and the Poetics of Evolution : Sub/Versions of Classicism, Culture, and Progress. Lewisburg: Bucknell University Press, 2000.

 

    • Dale, Alzina. T. S. Eliot: The Philosopher Poet. Wheaton Ill: H. Shaw, 1988.

 

    • Davidson, Harriet. T. S. Eliot and Hermeneutics: The Absence of Interpretation in "The Waste Land". Baton Rouge: Louisiana State UP, 1985.

 

    • Dawson, J. L. A Concordance to the Complete Poems and Plays of T.S. Eliot. Ithaca: Cornell University Press, 1995.

 

    • Donoghue, Dennis. Words Alone. New Haven: Yale UPress, 2002.

 

    • Douglass, Paul. Bergson, Eliot, American Literature. Kentucky: University of Kentucky Press, 1986.

 

    • Drew, Elizabeth. T. S. Eliot the Design of His Poetry. London: Eyre & Spottiswoode, 1950.

 

    • Dwidwedi, A. N. Indian Thought and Tradition in American Literature. New         Delhi: Oriental Publishers & Distributors, 1978.

 

    • Ellman, Maud. The Poetics of Impersonality: T. S. Eliot and E. Pound. Brighton: Harvester Press, 1987.

 

    • Erikson, Kai. ed. The Yale Review. (1989).

 

    • Fleissener, Robert. Ascending the Prufrockian Stair: Studies in a Dissociated Sensibility. New York: Peter Lang, 1988.

 

    • Foster, Paul. The Golden Lotus : Buddhist Influence in T.S. Eliot's Four Quartets. Lewes, Sussex: Book Guild, 1998.

 

    • Freed, Lewis. T. S. Eliot: The Critic as Philosopher. West Lafayette: Purdue University Press, 1979.

 

    • Gallup, Donald. "The "Lost" Manuscripts of T. S. Eliot." Bulletin of New York Public Library 72 (1968): 641-52.

 

    • Gardner, Hellen. The Art of T. S. Eliot. London: Faber and Faber, 1949.

 

    • ---. The Composition of the Four Quartets. London: Faber and Faber, 1978.

 

    • Ghosh, Damayanti. Indian Thought in T. S. Eliot. Calcutta: Sanskrit Puthar Bhandar, 1978.

 

    • Gish, Nancy. Time in the Poetry of T. S. Eliot. London: Macmillan, 1981.

 

    • ---. The Waste Land. Boston: Twayne, 1988.

 

    • Grant, Michael, ed. T. S. Eliot: The Critical Heritage. Vol. 2. vols. London: Routledge & Kegan Paul, 1982.

 

    • Gray, Piers. Eliot´s Intellectual Development 1902 - 1922. New Jersey: Harvester Press, 1982.

 

    • Gregory, Elizabeth. Quotation and Modern American Poetry: Imaginary Gardens with Real Toads. Houston, Tex.: Rice University Press, 1996.

 

    • Gross, Harvey. The Contrived Corridor. Ann Arbor: The University of Michigan Press, 1971.

 

    • Grove, Robin. The Early Poetry of T. S. Eliot. Sydney: Sydney UP, 1993.

 

    • Habib, Rafey. The Early T.S. Eliot and Western Philosophy. Cambridge: Cambridge University Press, 1999.

 

    • Harding, Jason. The Criterion: Cultural Politics and Periodical Networks in Inter-War Britain. New York: Oxford University Press, 2002.

 

    • Harwood, John. Eliot to Derrida: The Poverty of Interpretation. Basingstoke: Macmillan Press, 1995.

 

    • Hay, Eliose. T. S. Eliot's Negative Way. Cambridge: Harvard University Press, 1982.

 

    • Hinchliffe, Arnold. The Waste Land and Ash Wednesday. New Jersey: Atlantic Highlands, 1987.

 

    • Ishak, Fayek. The Mystical Philosophy of T. S. Eliot. New Haven: College & University Press, 1970.

 

    • Jain, Manju. A Critical Reading of the Selected Poems of T.S. Eliot. Delhi and New York: Oxford University Press, 1991.

 

    • ---. T. S. Eliot and American Philosophy: The Harvard Years. Cambridge: Cambridge University Press, 1992.

 

    • Jay, Gregory. T. S. Eliot and the Poetics of Literary History. Baton Rouge: Louisiana State University Press, 1983.

 

    • Kearns, Cleo McNelly. T. S. Eliot and Indic Traditions: A Study in Poetry and Belief. Cambridge: Cambridge University Press, 1987.

 

    • Kenner, Hugh. The Invisible Poet: T. S. Eliot. New York: Harcourt Brace & World, 1959.

 

    • ---. The Pound Era. Berkeley: University of California Press, 1971.

 

    • Kermode, Frank. The Romantic Image. London: Routledge & Kegan Paul, 1957.

 

    • Kinney, Clare Regan. Strategies of Poetic Narrative: Chaucer, Spenser, Milton, Eliot. Cambridge: Cambridge University Press, 1992.

 

    • Kirk, Russell. Eliot and His Age. 1971. Rev. ed. Peru Il: Sherwood Sugden, 1984.

 

    • Lentricchia, Frank. Modernist Quartet. Cambridge: Cambridge University Press, 1994.

 

    • Levenson, M. H. A Genealogy of Modernism. Cambridge: Cambridge University Press, 1984.

 

    • Litz, A. Walton, ed. Eliot in His Time: Essyas on the Occasion of the Fiftieth Anniversaty of the Waste Land. Princeton, NJ, 1973.

 

    • Lobb, Edward. T. S. Eliot and the Romantic Critical Tradition. London: Routledge and Kegan Paul, 1981.

 

    • ---, ed. Words in Time. New Essays on Eliot's Four Quartets. Ann Arbor: University of Michigan Press, 1993.

 

    • Lockerd, Benjamin G. Aethereal Rumours : T.S. Eliot's Physics and Poetics. Lewisburg, [Pa.] : Bucknell University Press, 1998.

 

    • Longenbach, James. Modernist Poetics of History: Pound, Eliot and the Sense of the Past. Princeton: Princeton University Press, 1987.

 

    • Malamud, Randy. T. S. Eliot's Drama: A Research and Production Sourcebook. New York: Greenwood Press, 1992.

 

    • Manganaro, Marc. Myth, Rhetoric, and the Voice of Authority: A Critique of Frazer, Eliot, Frye and Campbell. New Haven: Yale University Press, 1992.

 

    • Manganiello, Dominic. T. S. Eliot and Dante. Basingstoke: Macmillan, 1989.

 

    • Margolis, J. D. T. S. Eliot's Intellectual Development 1922 - 1939. Chicago: University of Chicago Press, 1972.

 

    • Martin, Graham, ed. Eliot in Perspective. New Jersey: Humanity Press, 1970.

 

    • Martin, Mildred. A Half-Century of Eliot Criticism: An Annotated Bibliography of Books and Articles in English 1916-1965. Lewisburg, PA: Bucknell University Press, 1972.

 

    • Materer, Timothy. Vortex: Pound, Eliot, and Lewis. Ithaca: Cornell University Press, 1979.

 

    • Matthews, Stuart. Great Tom: Notes Towards the Definition of T. S. Eliot. New York: Harper & Row, 1973.

 

    • Matthiessen, F. O. The Achievement of T. S. Eliot. London: Oxford University Press, 1935.

 

    • Mayer, John T. T.S.Eliot's Silent Voices. New York: Oxford University Press, 1989.

 

    • McDougal, Stuart. Dante among the Moderns.: University of North Carolina Press, 1985.

 

    • McLaughlin, Joseph. Writing the Urban Jungle : Reading Empire in London from Doyle to Eliot. Charlottesville: University Press of Virginia, 2000.

 

    • Melaney, William D. After Ontology: Literary Theory and Modernist Poetics. Albany: State University of New York Press, 2001.

 

    • Menand, Louis. Discovering Modernism: T. S. Eliot and His Context. New York: Oxford University Press, 1987.

 

    • Mester, Terri A. Movement and Modernism: Yeats, Eliot, Lawrence, Williams, and Early Twentieth-Century Dance. Fayetteville: University of Arkansas Press, 1997.

 

    • Miller, Hillis. Poets of Reality. Cambridge: Belknap Press of Harvard University Press, 1965.

 

    • Miller, James E. T. S. Eliot's Personal Waste Land. University Park: The Pennsylvania State University Press, 1977.

 

    • Molina, David- Newton, ed. The Literary Criticism of T. S. Eliot. London: The Athlone Press, 1977.

 

    • Montgomery, Marion. Concerning Intellectual Philandering: Poets and Philosophers, Priests and Politicians. Lanham, Md.: Rowman & Littlefield, 1998.

 

    • Moody, A. D. Thomas Stearns Eliot: Poet. rev. 1994 ed. Cambridge: Cambridge University Press, 1979.

 

    • Moody, Anthony David. Tracing T.S. Eliot's Spirit: Essays on His Poetry and Thought. Cambridge: Cambridge University Press, 1996.

 

    • Moody, A. D., ed. "the Waste Land" in Different Voices. London: Edward Arnold, 1974.

 

    • Moody, David A. The Cambridge Companion to T. S. Eliot. Cambridge: Cambridge University Press, 1994.

 

    • Murray, Paul. T.S. Eliot & Mysticism: The Secret History of the Four Quartets. New York: St. Martin's Press, 1991.

 

    • North, Michael. The Political Aesthetic of Yeats, Eliot, and Pound. Cambridge: Cambridge University Press, 1991.

 

    • ---. Reading 1922 : A Return to the Scene of the Modern. New York: Oxford University Press, 1999.

 

    • Olney, James, ed. T. S. Eliot. Essays from the Southern Review. Oxford: Clarendon Press, 1988.

 

    • Perl, Jeffrey. Skepticism and Modern Enmity: Before and after Eliot. Baltimore: John Hopkins University Press, 1989.

 

    • Quillian, William. Hamlet and the New Poetic: James Joyce and T. S. Eliot. Ann Arbor: UMI Research Press, 1983.

 

    • Rainey, Lawrence S. Institutions of Modernism : Literary Elites and Public Culture. New Haven: Yale University Press, 1998.

 

    • Rajan, B., ed. T.S. Eliot: A Study of His Writings by Several Hands. London: Dennis Dobson, 1947.

 

    • Rao, Nageswara. The Epic of the Soul. Tirupati: Sri Venkateswara University, 1977.

 

    • ---. The Peace Which Passeth Understanding: A Study of the Waste Land. Tirupati: Sri Venkateswara University, 1976.

 

    • Rees, Thomas. The Technique of T. S. Eliot. The Hague: Mouton, 1974.

 

    • Reibetanz, Julia. A Reading of Eliot´S Four Quartets. Ann Arbor: UMI Research Press, 1983.

 

    • Ricks, Christopher, ed. Inventions of the March Hare: Poems, 1909-1917. New York: Harcourt Brace, 1996.

 

    • Ricks, Cristopher. T. S. Eliot and Prejudice. London: Faber and Faber, 1988.

 

    • Riquelme, John Paul. Harmony of Dissonances: T. S. Eliot, Romanticism and Imagination. Baltimore: Johns Hopkins University Press, 1991.

 

    • Roger, Kojecky. T. S. Eliot's Social Criticism. New York: Farrar, Straus & Giroux, 1972.

 

    • Schneider, Elizabeth. T.S. Eliot. The Pattern in the Carpet. Berkeley: University of California Press, 1975.

 

    • Schuchard, Ronald. Eliot's Dark Angel. New York: Oxford University Press, 2000.

 

    • ---. Eliot's Dark Angel : Intersections of Life and Art. New York: Oxford UP, 1999.

 

    • ---. "T. S. Eliot as Extension Lecturer 1916-1919." Review of English Studies 25 (1974): 163- 72; 292-304.

 

    • Schusterman, Richard. T. S. Eliot and the Philosophy of Criticism. New York: Columbia University Press, 1988.

 

    • Schwartz, Sanford. The Matrix of Modernism. Princeton: Princeton University Press, 1985.

 

    • Sen, Sunil Kanti. The Metaphysical Tradition and T. S. Eliot. Calcutta: Firma, 1965.

 

    • Sena, Vinod, and Rajiva Verma, eds. The Fire and the Rose. New Essyas on T. S. Eliot. Delhi: Oxford University Press, 1992.

 

    • Seymour-Jones, Carole. Painted Shadow: A Life of Vivienne Eliot. London: Constable, 2001.

 

    • Shah, Ramesh Chandra. Yeats and Eliot. Perspectives of India. NewJersey: Humanity Press, 1983.

 

    • Sigg, Eric. The American T. S. Eliot. Cambridge: Cambridge University Press, 1989.

 

    • Singh, Amar Kumar. T. S. Eliot and Indian Philosophy. New Delhi: Sterling Publishers Private Ltd, 1990.

 

    • Sinha, Krishna Nandan. On Four Quartets of T. S. Eliot. Devon: A. Stockwell.

 

    • Skaff, William. The Philosophy of T. S. Eliot: From Skepticism to Surrealist Poetic 1909 - 1927. Philadelphia: University of Pennsylvania Press, 1986.

 

    • Sloane, Patricia. T.S. Eliot's Bleistein Poems: Uses of Literary Allusion in Burbank with a Baedeker: Bleistein with a Cigar" and "Dirge". Lanham [Md.]: International Scholars Publications, 2000.

 

    • Smidt, Kristian. The Poetry and Belief in the Work of T. S. Eliot. London: Routledge & Kegan Paul, 1961.

 

    • Smith, Grover. ed. Josiah Royce's Seminar 1913 - 1914. As Recorded in the Notebooks of Harry T. Costello. New Brunswick: Rutgers University Press, 1963.

 

    • ---. T. S. Eliot's Poetry and Plays. Chicago: University of Chicago Press, 1974.

 

    • ---. The Waste Land. London: George Allen & Unwin, 1983.

 

    • Smith, Grover Cleveland. T. S. Eliot and the Use of Memory. Lewisburg: Bucknell University Press, 1996.

 

    • Smith, Stan. The Origins of Modernism : Eliot, Pound, Yeats and the Rhetorics of Renewal. New York: Harvester Wheatsheaf, 1994.

 

    • Southam, B. C. A Student's Guide to the Selected Poems of T. S. Eliot. London: Faber and Faber, 1996.

 

    • Spender, Stephen. T. S. Eliot. New York: Viking, 1975.

 

    • Spurr, David. Conflicts in Consciousness. T. S. Eliot's Poetry and Criticism. Urbana: University of Illinois Press, 1984.

 

    • Sri, P. S. Eliot, Vedanta and Buddhism. Vancouver: University of British Columbia Press, 1985.

 

    • Srivastava, Narsingh. "The Ideas of the Bhagavad Gita in Four Quartets." Comparative Literature 29 (1977): 97-108.

 

    • ---. The Poetry of T. S. Eliot a Study in Religious Sensibility. New Delhi: Sterling Publishers, 1991.

 

    • Srivastava, S. B. Imagery in T. S. Eliot's Poetry. Jabalpur: Vikas Publishing House.

 

    • Stead, C. K. The New Poetic: Yeats to Eliot. Philadelphia: University of Pennsylvania Press, 1987).

 

    • ---. Pound, Yeats, Eliot and the Modernist Movement. Basingstoke: Macmillam, 1986.

 

    • Sultan, Stanley. Eliot, Joyce, and Company. New York: Oxford Press, 1987.

 

    • Surette, Leon. The Birth of Modernism: Ezra Pound, T. S. Eliot, W. B. Yeats and the Occult. Montreal: McGill-Queen's University Press, 1993.

 

    • Svarny, Eric. The Men of 1914: T. S. Eliot and Early Modernism. Philadelphia: Open University Press, 1988.

 

    • Takeda, Noriko. A Flowering Word: The Modernist Expression in Stephane Mallarme, T.S. Eliot, and Yosano Akiko. New York: P. Lang, 2000.

 

    • Tate, Allen, ed. T. S. Eliot: The Man and the Work. New York: Delacorte, 1966.

 

    • Thormählen, Marianne. The Waste Land: A Fragmentary Wholeness. Lund: C. W. K. Gleerup, 1978.

 

    • Tratner, Michael. Modernism and Mass Politics: Joyce, Woolf, Eliot, Yeats. Stanford: Stanford University Press, 1995.

 

    • Unger, Leonard. Eliot's Compound Ghost: Influence and Confluence. University Park: Pennsylvania State University Press, 1981.

 

    • Verma, C.D. The Gita in World Literature. New Delhi: Sterling Publishers, 1990.

 

    • Verma, Rajendra. Time and Poetry in Eliot's Four Quartets. New Jersey: Humanity Press, 1979.

 

    • Vickery, John. The Literary Impact of the Golden Bough. Princeton: Princeton University Press, 1976.

 

    • Wolosky, Shira. Language Mysticism : The Negative Way of Language in Eliot, Beckett, and Celan. Stanford: Stanford University Press, 1995.

 

    • Zambrano Carballo, Pablo. La Mística De La Noche Oscura: San Juan De La Cruz Y T.S. Eliot. Huelva: Universidad de Huelva, 1996.